Condition: Unused (scratches)
Length: 55mm
Weight: 15g
Type: Floating
The originator of Imakatsu cranks in pursuit of universality !
IMATATSU Crank Project is focused to seasonal usage in any Japanese field, aim for best but still standard purpose of cranking, the crank bait. Unlikely to any other crank bait which may be focusing a particular method, IMAKATSU Crank Project focuses on everyone’s crank bait. Feels best by casting, long casting, and keeps certain range by simple retrieve. In wide purpose, time or place, IK CRANK is for everyone’s crank in all season! The concept behind IK lies in guide of the fishing. From amateur to specialists, we’d been focus testing it for almost every different field before we proceed onto developments. With experiences from each field, IMAKATSU focuses on its feelings, the dazzling action or fulcrum gap system will be used for every crank we’ll provide. Potential within the most basic usage for all, IMAKATSU Crank Project will continue to focus on lure for everyone, and anywhere to catch your bass.
How to
IK-250 INFRA SONIC Ver. 8.2ft Dive ( 6.6~9.8ft Regular DIVE )
It provides optimum appeal without spooking bass in high season or on big lakes when non-rattles are a bit insufficient.
The Imakatsu crank was originally designed to snipe deep, inactive bass without spooking them, but after repeated testing, Imakatsu sought a sound element as a variation, and the result was the low-frequency rattle sound. The fixed main rattle is released laterally and hits the side of the body, producing a low-frequency “thump-thump-thump” sound, just like the classic American crankbaits. In topwater, the high-frequency sound attracts bass, but in deep water, the low-frequency sound is known to attract bass from farther away without spooking them. The bass are not alerted, but are drawn to the lure and made to bite. The INFRA SONIC Ver. opens up a new strategy.
INFRA SONIC Ver.
A large rattle, 6 mm in diameter, strikes the inside of the body and produces a low-frequency rattle sound. The rattle sound stops when a pose is made, so that the movement and the sound create a three-dimensional crispness. This sound is of a quality that is not unpleasant to the human ear.